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The Natural World
...on the earth and in the sky

Now at Rumor Designs through February
 

I am endlessly fascinated by the bear-claw marks found on aspen trees. I often wonder if these markings might be a language unique to bears. For this show, I chose to paint real aspens, depicting authentic bear claw marks that I have personally observed and photographed.

 

The result is a fun and joyful collection, primarily featuring bear cubs and placing them within abstract backgrounds. This artistic approach allows us to enjoy the cleverness of these animals in surroundings that suggest their curious, playful nature.

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Commissions available for bears that fit your space

The Natural World

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Oops I Slid!

40" x 20" Diptych, Oil and Cold Wax on Canvas

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This cub is learning how to climb. Huckleberries, one of bears' favorite foods, are to his right. Because he is low, the landscape is above him.

The Grand Prairie
48" x 48". Oil on Canvas

The Grand Prairie region of Arkansas offers wide, expanses of farmland and subtle, provocative coloration throughout the day​. It's inspirational to me.

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What Claw Marks?!

40" x 20" Diptych, Oil and Cold Wax on Canvas

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This cub practices his safety skills by climbing high in the tree. Because he is high, the landscape is below him.

Crossing with the Triplets

Crossing with the Triplets

20" x 40" Diptych, Oil and Cold Wax on Canvas

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Mama sow makes sure all her cubs are following her. One cub is following a red balloon and meadering away

Yampa Valley after the Rain
36" x 36".
Oil and Cold Wax on Canvas

I have noticed intense colors that follow rain storms. This painting is one example of what I see.

 

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Solo Climb

36" x 18" Oil and Cold Wax on Canvas

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This cub practices his climbing in the autumn woods. Soon, he will want to come down and join his sleuth. He can't

wrestle alone!

Practice Going Up

Practice Going Up

36" x 18" Oil and Cold Wax on Canvas

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Mama wants her cub to practice getting high in trees where he'll be safe from predators

Little Bear
60" x 36". Oil on Canvas


Yes, this yearling was on my back porch trying to get into the house.
I was on the other side of the glass taking pictures. Notice that his paws are on the sliding door handle...!

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Purple Bear

40" x 30". Oil on Canvas

See Giclee at Brass, Steamboat Springs

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This fella was at a friend's window, looking in from outside. On a car trip, I sketched him in purple. I liked the unusual idea of a purple bear

and painted him that way.

Afternoon sun hits rice fields

The Grand Prairie

48" x 48" Oil and Cold Wax on Canvas

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The Grand Prairie region of Arkansas offers wide expanses of farmland and subtle, provocative coloration throughout the day. It's morphing colors and shapes capture the artist in me.
 

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Sunset at 30,000 Feet
30" x 40". Oil on Canvas

Flying home from Italy, I looked out the window and saw a magnificent sunset. The reflected colors were
stunning and 
unforgettable. This sight demanded to be preserved in a painting.

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Yampa Valley Sunset XIV
20" x a 60". Oil on Canvas

Rocky Mountain sunsets are often dramatic. Their unceasing, creative beauty demands that  I paint them.  In this sunset yellow rays filtered through two cloud layers and almost reach the mountains below.

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Yampa Valley After the Rain

36" x 36".  Oil on Canvas

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Intense colors often follow rain storms. This painting is one example of what I have seen.

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Yampa Valley Sunset IX, Snowy Branch

36" x 36".  Oil on Canvas

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Bare, individual branches hold snow and set the scene for the valley view below

Snowy Flattops

12" x 24". Oil on Canvas

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In winter, morning light illuminates The Flottops, Colorado's third-largest wilderness area. Although the visible colors and details change throughout the day, morning light is best!

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Spring Sunrise

30" x 48". Oil on Canvas

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There is magic in the warm morning light that hits the mountaintops and is reflected into the valley

Wildlife
(and I do mean wild!)

The Frog Formerly Known as Prince

36" x 36". Oil on Canvas

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Art can have humor! The idea for this painting came to me during a meditation and was for a portrait of a frog. His portrait is accurate (although he wasn't a good sitter). The bottom is abstracted, and the top is like an old Olan Mills background. 

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We welcome your inquiries!

For prices, to purchase a painting, for individual instruction, classes, and commissions, contact Marion

 

© 2026 Marion Kahn

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